After
True Endlings
medium: oil/collage on canvas
dimensions: 150 x 200 cm (diptych)
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Guna Girl
medium: oil/collage on board
dimensions: 45 x 45 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Unknown One
medium: oil/collage on board
dimensions: 24 x 24 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Other
medium: oil/collage on paper
dimensions: 32.5 x 32.5 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Trekkers in Paradise
medium: oil/collage on board
dimensions: 59 x 76 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Deep Blue
medium:oil/collage on board
dimensions: 100 x 100 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Macharit
medium: oil/coolage on board
dimensions 76 x 76 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Europe after the Rain
medium:oil/collage on board
dimensions: 76 x 96 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Worlds Apart
medium: video loop, sound recording, sand and model figures
dimensions: 50 x 27 40 cm
2nd image: installation view
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
I Didn't Mean You
medium: glass tank, water, organic and inorganic elements
dimensions: 40 x 30 x 38 cm
2nd image : detail of above
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Is everybody Here?
medium: acrylic tank, water, organic and inorganic elements
dimensions 40 x 30 x 26 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
This is the final Offer
medium: acrylic tank, water, organic and inorganic elements
dimensions: 20 x 20 x 23 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Armila 111
medium: inks,mixed media on paper
dimensions: 30 x 20 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Armila 11
medium: inks,mixed media on paper
dimensions: 30 x 20 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Armila 1
medium: inks,mixed media on paper
dimensions: 30 x 20 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Tortuga
medium: inks/oil on board
dimensions: 15 x 15 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Hereafter
medium: oil/collage on board
dimensions: 100 x 100 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Tread Softly
medium: etching & chinecolle
dimensions: 70 x 103 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
In Search of the Other
medium:etching & chine colle
70 x 103 cm
edition 20
2019
Concept
The exhibition 'AFTER' was shown in the Lavit Gallery,Cork in 2019 addressing the current extinction of indigenous peoples.
These prints were part of that show and each represented a different geographical landscape as a background to portray different colonial exploitation past and present.
Exploring Beyond
medium:etching & chine colle
dimensions:45 x 45 cm
After
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.
Nobles & Fools
etching & chine colle
70 x 103 cm
edition 20
2019
Concept
The exhibition 'AFTER' was shown in the Lavit Gallery,Cork in 2019 addressing the current extinction of indigenous peoples.
These prints were part of that show and each represented a different geographical landscape as a background to portray different colonial exploitation past and present.
What's to Come
etching & chine colle
29 x 42cm
2019
Concept
The exhibition 'AFTER' was shown in the Lavit Gallery,Cork in 2019 addressing the current extinction of indigenous peoples.
These prints were part of that show and each represented a different geographical landscape as a background to portray different colonial exploitation past and present.
This exhibition is a response to Frieda's residency in Panama in 2017.
She spent three weeks living with the Guna tribe in the remote Guna Yala region bordering the Dàrien rainforest, bound in the north by the Caribbean Sea and in the east by Columbia.
Her previous exhibition ‘Lifeforms and Landmarks’ 2017/18 looked at the most recent extinction event and the evolution of birds from dinosaurs, while this exhibition is addressing the current extinction of indigenous peoples.
The mediums chosen to express these responses are print, painting and video installation.
She continues to address the pertinent problems of the ecosystem and extinctions caused by the climate crisis.